Full text can be read here.
The University Gallery is delighted to be able to present another exciting exhibition for ZOO AiR 2011 in conjunction with the Taronga Foundation. Now in its eleventh year, the TarongaFoundation has been committed to preserving and conserving endangered species both through zoo-based programs and in the animals’ native habitats.
The work generated through the Artists in Residence program this year will be on exhibition at the University Gallery from 20 July until 13 August. Donated works will then be exhibited at the Byron Kennedy Hall in Sydney’s Entertainment Quarter, Moore Park, from Friday 19 August until Sunday 21 August. The auction, by Bonhams Australia, will be held on the afternoon of Sunday 21 August with all proceeds supporting the Taronga Foundation’s conservation projects.
For information visit www.taronga.org/art
Adriane Strampp’s Choeropsis liberiensis has been short-listed for the 2011 Hazelhurst Art Award, to be exhibited at the Hazelhurst Regional Gallery & Arts Centre.
Hazelhurst Regional Gallery
Exhibition dates: July 8 to August 14 2011
9.30am – 4.30pm
Full article can be read here.
Words Kendall Hill
Photography Julian Kingma
The City of Yarra has acquired the drawing Hare II by Adriane Strampp for its Contemporary Art Collection. Hare II was recently exhibited in Five Miles from the Sea at Victoria University.
Over 150 artworks were submitted by 80 artists from which nineteen works were chosen.
The text of Robert Nelson’s review can be read here.
Five Miles from the Sea is a look at the incursion (Five miles from the Sea) of non-indigenous Australians and their resulting mark on the land. Whether it is the erosion of the land or the erosion of the quarter acre block, how are we shaping and living in the hinterland? Who lives five miles from the sea? What does it look like though the eyes of ten diverse artists, some from different parts of the globe, who have indeed made Australia their home?
Adriane Strampp : Artist Statement
In considering the impact of European settlement in Australia, one of the most invasive and damaging migrants (other than European man), is the rabbit.
Although originally arriving with the First Fleet in1788, it was Thomas Austin, formerly of Somerset, who is held historically responsible for the spread of rabbits when he released 24 rabbits and 5 hares at his property Barwon Park, near Geelong in 1859.
A lack of predators and mild winters provided an ideal climate for year-round breeding and by the 1900’s the feral rabbit population had reached plague proportions across Australia. Despite the rabbits’ devastating impact on native flora and the environment, the introduction of foxes as a remedy only worsened the situation as the foxes found indigenous birds and marsupials easier prey. In 1907 the infamous rabbit-proof fence was built in WA, a futile attempt to control the spread of rabbits, and later in 1950 Myxomatosis was introduced, causing a slow and painful death that ultimately the rabbits became immune to.
In 1863 the Acclimatisation Society of Victoria set up on Phillip Island a breeding colony for hares sent from London by the Zoological Society. Although introduced at the same time as rabbits, hares had less of an impact on the environment being slower to breed and non-burrowing, and their spread was limited to the more temperate climate of South-Eastern Australia.
This work is from a series of recent drawings titled The Animal Gaze, examining the fragile relationship between animals and the human race. The hare stares back at the viewer, a symbol of strength and vulnerability, segregation and marginalisation. We are both migrants to this land and the animal gaze serves to remind us equally of our imposition on their world.
The Victorian Acclimatisation Society was founded in 1861 in order to introduce European plants and animals in order to make the alien environment economically productive, and to feel more like home. It folded 11 years later as the extent their damage was realised. (Source: Museum Victoria)
Dianne Tanzer Gallery + Projects 2 – 23 April 2011
108 – 110 Gertrude Street Fitzroy VIC 3065
Mon – Fri 10am – 5pm
Sat 12pm – 5pm
Hares, horses and stags have long featured in Strampp’s work, images of the hunted and the haunted, symbols of both strength and vulnerability. In conjunction with Strampp’s 2011 residency at Sydney’s Taronga Zoo, Erlösung: The Animal Gaze is a project drawing exhibition that considers the animal gaze, and the relationship between the observer and the observed.
The animals in this exhibition are not cute; rather they are solid, monumental creatures drawn life-size, yet paradoxically they remain fragile and exposed. Their wary gaze regards us, guarded and measured, and they remain ‘in absentia’. In our desire for connection we long for our gaze to be returned, but as they look through or past us our projections are mirrored back, only to remind us of our imposition on their world.
Words Eliza Hope
Photography Mark Taylor
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