Kedumba Drawing Award 31 October – 30 November 2010

  • November 1, 2010
Hare (In memory of Marcus)
Adriane Strampp Hare (In memory of Marcus) charcoal, pencil and graphite on Arches paper 76 x 56 cm
Adriane Strampp’s work Hare (In memory of Marcus) 2010 has been acquired for the Kedumba Collection of Contemporary Australian Drawings.

Adriane Stampp
19. Hare (In memory of Marcus)

“An iconic, enigmatic work that reminds me of the enquiry that Durer was capable of. The artist placed the hare in a believable space without rendering a background. Placing all the importance on the animal itself.”

Speech by Peter Sharp
Judge of the Kedumba Drawing Award 2010

Blue Mountains Grammar School,
Wentworth Falls,
NSW

31 October – 30 November 2010

Kedumba Drawing Award 31 October – 30 November 2010

  • September 2, 2010
Adriane Strampp Tsuki 2010
Adriane Strampp Tsuki Charcoal, pencil and graphite on paper 76 x 56 cm 2010
Adriane Strampp Hare 2010
Adriane Strampp Hare Charcoal, pencil and graphite on paper 76 x 56 cm 2010

Adriane Strampp has been invited to enter this year’s Kedumba Drawing Award.

Blue Mountains Grammar School, Wentworth Falls, NSW
31 October – 30 November 2010

‘The Kedumba Collection has become the most representative collection of drawings of this period in this country.’

John Olsen AO OBE

Imaging the gap: King Street Gallery on William 4 – 29 May 2010

  • April 26, 2010
Falls the Shadow
Adriane Strampp Falls the Shadow 2008 oil on linen 152 x 152 cm
In history's shadow
Adriane Strampp In History's Shadow 2009 oil on linen 152x152cm
Mimesis II
Adriane Strampp Mimesis II 2010
oil on linen 90 x 90 cm

King Street Gallery
on William
177 William St Darlinghurst NSW 2010 Australia

Opening times:
10am – 6pm Tuesday – Saturday

Today Adriane Strampp’s work takes another look at the horse and the landscape, in a quieter and more contemplative manner, together with the use of a limited palette. Her work continues to explore the intangible and evocative, that communicates before it is understood, and the importance of and relationship between scale, surface and the poetic image through a method of layering and reduction that reflects the experience of connection, through history on either a personal or broader level. Subject and shadow are indeterminate, and the viewer is drawn into the work to decide between what is ‘real’ and what is not. More importantly, it is hoped that the viewer will experience a connection of experience through the work.

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