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Paddington Art Prize October 11 – 21 2014

  • September 25, 2014

Unease 2014 has been selected for the Paddington Art Prize. The Paddington Art Prize was established by Marlene Antico in 2004. This $20,000 acquisitive prize is awarded annually for a painting inspired by the Australian landscape. This year’s judges are:

Lou Klepac OAM Art Historian, Author, Curator and Publisher
Barry Pearce Emeritus Curator of Australian Art, Art Gallery of NSW
Jane Watters Director of S.H. Erwin Gallery

Exhibition dates: Saturday, 11th October until Tuesday, 21st October
111 – 113 Queen Street Woollahra, NSW 2025. Entrence via Dorhauer Lane
Unease 2014, 152 x 152 cm oil on linen
Unease 2014, 152 x 152 cm oil on linen ©Adriane Strampp

Salon des Refusés S.H. Ervin Gallery 19 July – 14 September

  • August 2, 2014

The ‘alternative’ selection from hundreds of entries to the Archibald and Wynne Prizes, the Salon des Refusés started at the S.H. Ervin Gallery in 1992. Each year a panel of selectors goes behind the scenes of the Art Gallery of New South Wales to select the exhibition from the works not included in the finalist exhibition. The Salon has an excellent reputation, and the criteria for works selected are quality, diversity, humour and experimentation and cover themes such as contemporary art practices, different approaches to portraiture and artist’s responses to the landscape. 

Grey Garden

Grey Garden, oil on linen 152 x 152 cm ©Adriane Strampp

S.H. Ervin Gallery, Watson Road, Millers Point (The Rocks)

TUE-SUN: 11am-5pm
Closed Mondays & Public Holidays
Ph +61 2 9258 0173

The Animal Show: King Street Gallery 3 – 28 April 2012

  • April 5, 2012

Animals have played a significant role in the development of society [since] before the written word. Imagery of animals dating back thousands of years attest to their relevance in the changing cultures of all societies. We have worshipped, befriended, eaten, abused and idolized the beast. Animals of all kinds are our work mates, companions, guides, sustenance, entertainment and sacrifices. The Animal Show pays homage to our adoration of the animal and presents over 20 artist’s view of feathered, furry, hairy and scaly creatures.

King Street Gallery
on William
177 William St
Darlinghurst
NSW 2010

10am – 6pm Tuesday – Saturday
Opening April 4, 6-8pm

Istoria: King Street Gallery 6 – 31 March 2012

  • March 3, 2012

Nike 2012

King Street Gallery
on William
177 William St
Darlinghurst
NSW 2010

10am – 6pm Tuesday – Saturday
Opening March 7, 6-8pm

Istoria

In this new exhibition Strampp continues to work with a limited palette, focusing on the ambiguities of spatial perception, history and connection.

Included in this exhibition are two works referencing Strampp’s early dress series. The landscapes have developed a deeper space than previous work, whilst the animals within, (a result of a residency at Taronga Zoo in 2011) hold their own, survivors of a rapidly changing landscape.

This exhibition also includes a new series of smaller works, Memorium, that further explore spatial relationships and connection through surface materiality, with the use of paint, wax, paper, mirror and lead.

Image: Nike 2012 oil on linen 152 x 152 cm

Further images available here and here.

Adelaide Perry Prize 24 February – 24 March 2012

  • January 28, 2012

Adriane Strampp’s work Observer Observed has been selected for the 2012 Adelaide Perry Prize for Drawing, judged by Sydney art critic John McDonald.

Adriane-Strampp-Observer-observed-2011
Observer observed 2011 charcoal on paper 66 x 105 cm

Adelaide Perry Gallery
The Croydon Centre for Art
Presbyterian Ladies’ College, Sydney
Boundary St
Croydon
NSW 2132

Observer observed is one of several drawings produced during a residency at Sydney’s Taronga Zoo in 2011. The subject is Birani, a Malayan Tapir who resides there.

My work has always been concerned with the connection between strength and fragility, the tangible and the intangible, and the presence of absence. From the early dress paintings of the 1980’s through to the current animal works I have explored that which remains ‘in absentia’: the body from the dresses, the gaze between the animal and the viewer. In looking at us the animals remain ‘in absentia’. Rarely does their gaze meet ours directly. In the desire for a reciprocal gaze we project our own emotions and interpretations, however the animals look beyond us and through us as we the observers seek momentary connection. Instead our projections are mirrored back to us, and their gaze reminds us of our imposition on their world.

The drawing has several ‘ghost’ images of the animal in the act of walking and is a reference to Muybridge’s photographs. The use of multiple movements echoes the shift of looking and being looked at. The observer observed.

Adriane Strampp January 2012

Zoo AiR at The University Gallery, Newcastle NSW 20 July – 21 August 2011

  • July 22, 2011

The University Gallery is delighted to be able to present another exciting exhibition for ZOO AiR 2011 in conjunction with the Taronga Foundation. Now in its eleventh year, the TarongaFoundation has been committed to preserving and conserving endangered species both through zoo-based programs and in the animals’ native habitats.

The work generated through the Artists in Residence program this year will be on exhibition at the University Gallery from 20 July until 13 August. Donated works will then be exhibited at the Byron Kennedy Hall in Sydney’s Entertainment Quarter, Moore Park, from Friday 19 August until Sunday 21 August. The auction, by Bonhams Australia, will be held on the afternoon of Sunday 21 August with all proceeds supporting the Taronga Foundation’s conservation projects.

For information visit www.taronga.org/art

Zoo AiR 2011
Zoo AiR 2011
artists-2011-taronga
Taronga Zoo AiR 2011 artists

Kedumba Drawing Award 31 October – 30 November 2010

  • November 1, 2010
Hare (In memory of Marcus)
Adriane Strampp Hare (In memory of Marcus) charcoal, pencil and graphite on Arches paper 76 x 56 cm
Adriane Strampp’s work Hare (In memory of Marcus) 2010 has been acquired for the Kedumba Collection of Contemporary Australian Drawings.

Adriane Stampp
19. Hare (In memory of Marcus)

“An iconic, enigmatic work that reminds me of the enquiry that Durer was capable of. The artist placed the hare in a believable space without rendering a background. Placing all the importance on the animal itself.”

Speech by Peter Sharp
Judge of the Kedumba Drawing Award 2010

Blue Mountains Grammar School,
Wentworth Falls,
NSW

31 October – 30 November 2010

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