Displacement has been selected for the Paddington Art Prize.
Displacement 2015 oil on linen 91 x 91 cm
A $25,000 National acquisitive prize for a painting inspired by the Australian landscape, now in it’s 13th year.
111-113 Queens Street
Woollahra NSW 2025
20-30 October 2016
First Light has been selected for the Len Fox Painting Award at the Castlemaine Art Museum.
First Light 2015 oil and wax on linen 41 x 41 cm
Castlemaine Art Gallery and Historical Museum
14 Lyttleton Street
Castlemaine
VIC 3450
October 9 – December 31
Gauze has been selected for the John Leslie Art Prize at the Gippsland Art Gallery.
Gauze 2016 oil on linen 122 x 122 cm
‘In her work Gauze, meanwhile, Adriane Strampp heightens our sensory perception by concealing much of the pictorial data. Hers is a dreamy, half-remembered world where subject and colour are pared back to an elemental core, and where mood and atmosphere take precedence.’
Gippsland Art Gallery
64-66 Foster Street, Sale
VIC 3850
September 3 – November 30
Haefliger’s Garden has been selected for the 2016 Paul Guest Prize for contemporary drawing at Bendigo Art Gallery.
Haefliger’s Garden 2016 52 x 152 cm, charcoal, ink, watercolour on 640 gsm watercolour paper
Bendigo Art Gallery
42 View Street, Bendigo
VIC 3550
August 27 – October 16 2016
Brume 2016 selected for the Sulman Prize at the Art Gallery of NSW.
Brume 2016 oil on linen 91 x 274 cm
The Sulman Prize is given to the best subject painting, genre painting or mural project in oil, acrylic, watercolour or mixed media. A list of all finalists can be seen here.
Each year, the trustees of the Art Gallery of NSW judge the Archibald and Wynne, and invite an artist to judge the Sulman. The 2016 judge is Judy Watson.
Art Gallery of New South Wales
Art Gallery Rd, The Domain
NSW 2000
July 16 – October 9
Guide 2015 selected for the Glover Prize. Oil and wax on linen, 122 x 122 cm
Falls Park Pavillion,
Evandale
TAS 7212
The Glover Prize has become one of Australia’s most significant awards for landscape painting. It is awarded annually for the work judged the best contemporary landscape painting of Tasmania. The winner receives $40,000 and a bronze maquette of colonial artist John Glover, whose legacy is celebrated though the Prize.
Landscape painting is defined in its broadest sense. The aim is to stimulate conversations about the meaning and possibilities expressed in the words landscape, painting and Tasmania. The Glover is open to artists from anywhere in the world. The exhibition is held over the March long-weekend in the historic Falls Park pavilion in Evandale, a village on the beautiful northern plains of Tasmania.
The winner of the Glover is selected from around 40 works chosen by a panel of eminent judges.
2016 GLOVER PRIZE JUDGES
Maudie Palmer AO
Independent curator and Professorial Fellow, Monash University
Fiona Hall AO
Artist and Australian representative at Venice Biennale 2015
Sean Kelly
Arts Officer, Moonah Arts Centre
The Departure 2016 selected for the Adelaide Perry Prize for Drawing. Graphite on Lanaquarelle 640gsm watercolour paper 30 x 76 cm
Adelaide Perry Gallery
The Croydon Centre for Art
Presbyterian Ladies’ College, Sydney
Boundary St
Croydon
NSW 2132
The Adelaide Perry Prize for Drawing is a $25,000 acquisitive art award among the most significant of its kind in the country.
Inaugurated in 2006, the Prize is generously supported by the Parents and Friends’ Association of PLC Sydney.
Named in honour of respected painter, printmaker and draughtswoman, Miss Adelaide Elizabeth Perry who taught Art at PLC Sydney from 1930 to 1962, the Prize attracts submissions from around the country.
The 2016 Perry Prize judge is Ms Julie Ewington, independent curator and writer. Read Julie’s statement on judging here.
Mirror 2014 selected for the Adelaide Perry Prize for Drawing. Charcoal and wax on board, 50 x 50cm
Adelaide Perry Gallery
The Croydon Centre for Art
Presbyterian Ladies’ College, Sydney
Boundary St
Croydon
NSW 2132
The Adelaide Perry Prize for Drawing Exhibition of Finalists 2015 will be officially opened at Adelaide Perry Gallery on Friday 27 February at 7 pm.
Special guest speaker Mr Glen Barkley, curator, will make the opening announcements and this year’s judge, Mr Peter Kingston AM, will present this year’s winner with the $25,000 acquisitive prize.
From over 480 entries Peter Kingston created a shortlist 43 artworks.
In a statement about the process Mr Kingston said:
In judging the drawings I have been guided by the words of Vincent Van Gogh: ‘The figure of a labourer – some furrows in a ploughed field – a bit of sand, sea and sky -are serious subjects, so difficult, but at the same time so beautiful, that it is indeed worth while to devote one’s life to the task of expressing the poetry hidden in them.’
And my friend, the late Martin Sharp: ‘To make visible the invisible.’
This is no mean task to achieve, as one not only has to actually commence work but also leave one’s self open to chance and unexpected diversions along the way. To make a record of this journey is what I was looking out for.
The finalists I have chosen have, in my view and experience, come some way towards achieving this.
Echo 2014 has been selected for the 2014 Paul Guest Prize for contemporary drawing, at Bendigo Art Gallery.
The Paul Guest Prize is a non-acquisitive cash prize of $12,000 which is held every two years, highlighting contemporary drawing practice in Australia. The Prize was initiated by former Family Court Judge and Olympic rower, the Honourable Paul Guest QC and encourages artists from across Australia to engage with the important medium of drawing and to create challenging and unique art works.
Bendigo Art Gallery
42 View Street, Bendigo
15 November 2014 – 26 January 2015
Echo 2014 charcoal and wax on board 50 x 50 cm © Adriane Strampp
Unease 2014 has been selected for the Paddington Art Prize. The Paddington Art Prize was established by Marlene Antico in 2004. This $20,000 acquisitive prize is awarded annually for a painting inspired by the Australian landscape. This year’s judges are:
Lou Klepac OAM Art Historian, Author, Curator and Publisher
Barry Pearce Emeritus Curator of Australian Art, Art Gallery of NSW
Jane Watters Director of S.H. Erwin Gallery
Unease 2014, 152 x 152 cm oil on linen ©Adriane Strampp