Adriane Strampp is exhibiting a series of gouache studies made this summer in Umbria, as a part of the popular annual wine festival, in Panicale. Strampp is exhibiting alongside her mother Lita Strampp, who is exhibiting a series of watercolours.
The exhibition is held in a historic cantina once used for storing animals, as the village opens it’s cantinas to visitors from all over to sample local wines and produce.
Marsh 2025 oil on linen on board 20 x 20cmTidelines 2025 oil on linen on board 20 x 20cm
Adriane Strampp is exhibiting two painting with fellow artists from The Chelsea Arts Club, London. Marsh and Tidelines are based on the Somerset coastline, Strampp’s family home.
The Chelsea and Westminster hospital has a permanent collection of art on display, from Veronese to Tracey Emin, Damien Hirst, Patrick Heron and Albert Irvin, and is a model of how art can add immeasurably to the quality of hospital life. The displays play a hugely positive role in the experience of patients, their visitors, and the staff.
Spread between the ground and first floors of the hospital and featuring the work of 23 Chelsea Arts Club members, the show has been curated and hung by Ginger Gibbons and Francis Tinsley, and organised by Sarah Delafield-Cook and Serena Richards.
!st Floor
Chelsea & Westminster Hospital
369 Fulham Rd.,
London SW10 9NH
Adriane Strampp is returning again this year to Art Central with Hill Smith Gallery for Hong Kong Art Week, along with gallery artists Melinda Schawel and Yanni Floros. Art Central will feature over 100 leading international galleries, 75% of which hail from the Asia Pacific.The Fair’s extensive gallery line-up will showcase striking works from across the globe, illustrating the diversity and prodigious talent of artists within today’s contemporary art market.
Adriane Strampp explores the theme of the Romantic landscape, the intangible and the evocative, the search for a sense of place, and the desire for connection, a reflection of her own peripatetic background. Interest is not in the mimetic representation of landscape, but rather the suggestion and presence of the viewer observing, present yet separated from that which he sees. It traces both the literal and the emotional journey of a landscape remembered, the search for familarity, and explores triggers that help us connect the past with the present.
DEIDRE BUT-HUSAIM, MATT R. MARTIN, SHANNON SMILEY, ADRIANE STRAMPP
Adriane Strampp, Diversion 2017 oil on linen 91 x 91 cm
Hill Smith Gallery will be exhibiting the works of four painters, Deidre But-Husaim, Matt R. Martin, Shannon Smiley and Adriane Strampp in the group show ‘Uneasy Idyll’ at Art Central during Hong Kong Art Week.
While each artist is unique in their method and interpretation, the artists share themes associated with the figure and the landscape such as the illusion of the idyllic, ambiguity and time suspended. All four approach their practice with great skill and technical knowledge, the resulting paintings allowing a breadth of interpretation yet remaining visually and thematically sympathetic with each other.
ADRIANE STRAMPP explores the theme of the Romantic landscape, the intangible and the evocative, the search for a sense of place, and the desire for connection, a reflection of her own peripatetic background. Interest is not in the mimetic representation of landscape, but rather the suggestion and presence of the viewer observing, present yet separated from that which he sees. It traces both the literal and the emotional journey of a landscape remembered, the search for familarity, and explores triggers that help us connect the past with the present.
