Darebin Art Prize: 7 September – 26 January 2020

  • August 23, 2019
loon (flux) lake at dusk with reflections in the 2019 darebin art prize

Loon, oil on linen 91 x 91 cm

Adriane Strampp is a finalist in the Darebin Art Prize, a biennial multi-medium award for excellence in contemporary visual art.

Artists from across Australia will be represented this major exhibition which includes a $10,000 acquisitive prize and $1,000 People’s Choice Award.

2019 Darebin Art Prize Finalists:

Fiona Abicare, Darcey Bella Arnold, Justin Balmain, Mary Barton, Nicholas Chilvers, Matthew Clarke, Erin Coates, Rebecca Delange, Lauren Dunn, David Egan, Travis Ficarra, Carly Fischer, Julia Gorman, Louise Gresswell, Amala Groom, Sophia Hewson, Deanna Hitti, Kym Maxwell, Aaron Claringbold & Rebecca McCauley, Clare McCracken, Hayley Millar-Baker, Viv Miller, Noriko Nakamura, Liam O’Brien, Michael Prior, Lucreccia Quintanilla, Georgia Robenstone, Mark Rodda, The Ryan Sisters, Britt Salt, Devi Seetharam, Tama Sharman, Jacqui Shelton, Mark Smith, Adriane Strampp, Ebony Truscott, David Wadelton, Yandell Walton, Daisy Watkins-Harvey.

Bundoora Homestead Art Centre
7 Prospect Hill Drive
Bundoora, VIC 3083

HOURS
Gallery open from Thursday to Sunday, 10am–5pm

Bayside Acquisitive Art Prize, Bayside Gallery: 24 May – 21 July

  • April 24, 2019

strampp-adriana-entrance
Entrance 2018, oil on linen, 91 x 91 cm

Adriane Strampp is a finalist in the Bayside Acquisitive Art Prize. Established in 2015, this prize is a celebration of contemporary Australian painting. The finalist exhibition brings together a broad range of artists, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today.

The annual prize is an important opportunity for Bayside City Council to add exceptional works of art to its collection and to promote art and artists as a valuable part of the Bayside community. The three categories of the prize are judged by a panel of industry experts.

This year’s judges are Jane Devery, Curator, Contemporary Art, National Gallery of Victoria, and Anthony Fitzpatrick, Curator, TarraWarra Museum of Art, who will join Joanna Bosse, Curator, Bayside Gallery on the 2019 judging panel.

Bayside Gallery
Brighton Town Hall
Corner Wilson and Carpenter Streets
Brighton VIC 3186

HOURS
Gallery open from Wednesday to Friday, 11am–5pm, Saturday and Sunday, 1pm–5pm

John Leslie Art Prize, Gippsland Art Gallery: 22 September – 25 November

  • September 1, 2018

strampp-adriane-last light
Last Light, oil on linen, 152 x 152 cm

Adriane Strampp is a finalist in The John Leslie Art Prize, one of Australia’s most prestigious and valuable prizes for contemporary landscape painting. With a first prize of $20,000 (non-acquisitive) the Prize consistently attracts the highest calibre of artists working in Australia. An additional prize of $1,000 will be given to the best Gippsland work. The Prize is made possible through the generous ongoing support of the Gallery’s Patron, John Leslie OBE.

Exhibition dates 22 September – 25 November 2018

Gippsland Art Gallery
64-66 Foster Street, Sale
VIC 3850

Art Central Hong Kong: 27 March – 1 April 2018

  • March 20, 2018
strampp-adriane-art-central-hong-kong-2018

Change 2018 oil on linen 91 x 91 cm

Adriane Strampp is returning again this year to Art Central with Hill Smith Gallery for Hong Kong Art Week, along with gallery artists Melinda Schawel and Yanni Floros. Art Central will feature over 100 leading international galleries, 75% of which hail from the Asia Pacific. The Fair’s extensive gallery line-up will showcase striking works from across the globe, illustrating the diversity and prodigious talent of artists within today’s contemporary art market.

Adriane Strampp explores the theme of the Romantic landscape, the intangible and the evocative, the search for a sense of place, and the desire for connection, a reflection of her own peripatetic background. Interest is not in the mimetic representation of landscape, but rather the suggestion and presence of the viewer observing, present yet separated from that which he sees. It traces both the literal and the emotional journey of a landscape remembered, the search for familarity, and explores triggers that help us connect the past with the present.

Adriane Strampp的作品，是對浪漫主義風景畫的探討，是只可意會但回味無窮的情緒，是對未知之地的探索，對心意相通的渴望，更是藝術家對周遭環境的情感投射。Adriane的興趣並不在於對景觀的重現，而是暗示並展現出一種與其所觀察到的景象相分離的體驗。它追溯由記憶中的風景而生的感性之旅，尋找似曾相識的感覺，並探索能夠讓我們將歷史與當下相連接的觸發點。

Enquiries: Hill Smith Gallery Booth A14: Margo Hill-Smith margohs@bigpond.com  | +61 402 231 517 | Art Central HK 

ART CENTRAL
9 Lung Wo Road
Central Harbourfront
Hong Kong

27 March – 1 April
First Night March 26

HILL SMITH GALLERY
113 Pirie Street
Adelaide SA
AUSTRALIA
www.hillsmithgallery.com.au

View catalogue here.

This Wild Song Fundraiser: 30 Jan – 3 Feb 2018

  • January 31, 2018

This Wild Song is holding a silent auction to help support an exhibition of contemporary artworks by 23 Australian female artists in Singapore at the Australian High Commission. The exhibition is timed to coincide with International Women’s Day in March of 2018. Over 40 Australian female artists have donated works to help support this project, and works are currently on view at Gallerysmith and bidding online ends at 3 pm Saturday 3rd Feb.

This Wild Song (TWS) is a series of portraits and interviews with Australian women visual artists who have a unique voice.

The theme of the portraits is for the artist to become a part of their work. The photographs also hold the intention of creating an honest and true depiction of who the artist is as a person. Every portrait has a specific concept created for the artist, and significance is placed on all elements within the photograph in relation to the artist and their practice.

TWS celebrates the strong female leaders in the arts community. Although the artists being featured are from varying backgrounds, use a diverse range of mediums, and at different stages of their arts career; they are unified by their unique voices and distinct style. The inclusion of so many artistic mediums in TWS offers a broad synopsis of contemporary Australian art.

Flash 2016 pigment and wax on cradled board, 30 x 30 cm

Exhibition: 30th January – 3rd February
Curator tour: 1st February 12:30-1:30pm
Closing event: 3rd Feb 1-3pm
Silent auction ends 3rd Feb, 3pm

All proceeds of this auction are going towards the TWS Singapore Exhibition

20/20 A Sense of Place, Whistlewood: 5 Jan – 4 Feb 2018

  • January 16, 2018

A richly explorative exhibition of contemporary Australian landscapes by 40 leading artists of diverse cultural backgrounds from around Australia.

Featuring:
• Aboriginal and contemporary Australian artists
• 90 + paintings, ochres, barks, works on paper and 3D
• Intimate views of the Mornington Peninsula by John Anderson created for the exhibition
• New coastal and Lake Mungo paintings by David Beaumont
• FNQ forest and sandbeach abstracts by Rosella Namok, Claudine Marzik and Fiona Omeenyo
• Textured ochres from the Kimberley’s Warmun Arts
• Organic mixed media boards by emerging Tasmanian artist Jillian Catto
• Elegant abstracts by Sue Lovegrove and Adriane Strampp
• Lushly hued paintings of the Pilbara’s salt lake country by Bugai Whyoulter
• Award winning artists of the APY Lands Freda Brady, Robert Fielding and more
• Lush new paintings by energing artists including the APY’s Rachael Lionel, Betty Chimney, Kerry Anne
Robinson and Janie Kulyuru Lewis, the Kimberley’s Lindsay Malay & Yuendumu’s Steven Jupurrula
Nelson
• Unique ceramic Bagu firemaker figures of FNQ
• Views of central Victoria and the NSW coast by Neville Pilven and Sally West
• Limited edition prints by street artist and printmaker Tom Civi and master printmaker Martin King
and much more…

Plus feature exhibition of the subtle paintings of the artists of Papunya Tjupi – inheritors of the founding Papunya school of Western Desert art.

We are also delighted to continue our partnerships with other representative galleries – Australian Galleries, Gallerysmith and Salt Contemporary Art – who join us in making available an exciting range of work by leading artists.

View selected works here.

EXHIBITION DATES: January 5-February 4
OPEN: Fridays, Saturdays, Sundays & Public Holidays
11am-4pm

WHISTLEWOOD
642 Tucks Road
Shoreham, Vic 3916
T: 03 59 898282
E: info@mccullochandmcculloch.com.au 

Denfair, Gallerysmith 8 – 10 June 2017

  • June 6, 2017
strampp-adriana-void-denfair

Adriane Strampp, Void, oil on linen, 152 x 152 cm

Gallerysmith is participating in Denfair with three artists, Adriane Strampp, Isobel Clement and Kirrily Hammond. Details here.

DENFAIR is a boutique trade event and the leading destination for contemporary design in Australia. Held over three days in Melbourne, DENFAIR delivers the very best brands to their customers within a stimulating environment of discovery and inspiration.

Gallerysmith
Marita Smith
marita@gallerysmith.com.au
gallerysmith.com.au

Stand no G20

Art Central Hong Kong: 21 – 25 March 2017

  • March 8, 2017

HILL SMITH GALLERY, UNEASY IDYLL  不安的牧歌

DEIDRE BUT-HUSAIM, MATT R. MARTIN, SHANNON SMILEY, ADRIANE STRAMPP

Diversion 2017 oil on linen 91 x 91 cm ACHK

Adriane Strampp, Diversion 2017 oil on linen 91 x 91 cm

Hill Smith Gallery will be exhibiting the works of four painters, Deidre But-Husaim, Matt R. Martin, Shannon Smiley and Adriane Strampp in the group show ‘Uneasy Idyll’ at Art Central during Hong Kong Art Week.

While each artist is unique in their method and interpretation, the artists share themes associated with the figure and the landscape such as the illusion of the idyllic, ambiguity and time suspended. All four approach their practice with great skill and technical knowledge, the resulting paintings allowing a breadth of interpretation yet remaining visually and thematically sympathetic with each other.

ADRIANE STRAMPP explores the theme of the Romantic landscape, the intangible and the evocative, the search for a sense of place, and the desire for connection, a reflection of her own peripatetic background. Interest is not in the mimetic representation of landscape, but rather the suggestion and presence of the viewer observing, present yet separated from that which he sees. It traces both the literal and the emotional journey of a landscape remembered, the search for familarity, and explores triggers that help us connect the past with the present.

Adriane Strampp的作品，是對浪漫主義風景畫的探討，是只可意會但回味無窮的情緒，是對未知之地的探索，對心意相通的渴望，更是藝術家對周遭環境的情感投射。Adriane的興趣並不在於對景觀的重現，而是暗示並展現出一種與其所觀察到的景象相分離的體驗。它追溯由記憶中的風景而生的感性之旅，尋找似曾相識的感覺，並探索能夠讓我們將歷史與當下相連接的觸發點。

Info Hill Smith Gallery: Margo Hill-Smith margohs@bigpond.com  | +61 402 231 517 | Art Central HK website

ART CENTRAL
9 Lung Wo Road
Central Harbourfront
Hong Kong

March 21 – 25
VIP Preview March 20

HILL SMITH GALLERY
113 Pirie Street
Adelaide
www.hillsmithgallery.com.au

Catalogue essay here, catalogue here.

Paddington Art Prize 20 – 30 October 2016

  • October 1, 2016

Displacement has been selected for the Paddington Art Prize.

Displacement 2015 oil on linen 91 x 91 cm

Displacement 2015 oil on linen 91 x 91 cm

A $25,000 National acquisitive prize for a painting inspired by the Australian landscape, now in it’s 13th year.

111-113 Queens Street
Woollahra NSW 2025

20-30 October 2016

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