:

Solo

Dianne Tanzer Gallery + Projects 2 – 23 April 2011
108 – 110 Gertrude Street Fitzroy VIC 3065

Opening hours:
Mon – Fri 10am – 5pm
Sat 12pm – 5pm

Tapirus indicus 2011

Adriane Strampp Tapirus indicus charcoal on Fabriano paper
105 x 225 cm

Choeropsis liberiensis 2011

Adriane Strampp Choeropsis liberiensis 2011 charcoal on Fabriano paper 105 x 225 cm

Geochelone gigantea 2011

Adriane Strampp Geochelone gigantea 2011 charcoal on Fabriano paper
105 x 150 cm

Hares, horses and stags have long featured in Strampp’s work, images of the hunted and the haunted, symbols of both strength and vulnerability. In conjunction with Strampp’s 2011 residency at Sydney’s Taronga Zoo, Erlösung: The Animal Gaze is a project drawing exhibition that considers the animal gaze, and the relationship between the observer and the observed.

The animals in this exhibition are not cute; rather they are solid, monumental creatures drawn life-size, yet paradoxically they remain fragile and exposed. Their wary gaze regards us, guarded and measured, and they remain ‘in absentia’. In our desire for connection we long for our gaze to be returned, but as they look through or past us our projections are mirrored back, only to remind us of our imposition on their world.

Falls the Shadow

Adriane Strampp Falls the Shadow 2008 oil on linen 152 x 152 cm

In history's shadow

Adriane Strampp In History's Shadow 2009 oil on linen 152x152cm

Mimesis II

Adriane Strampp Mimesis II 2010
oil on linen 90 x 90 cm

King Street Gallery
on William
177 William St Darlinghurst NSW 2010 Australia

Opening times:
10am – 6pm Tuesday – Saturday

Today Adriane Strampp’s work takes another look at the horse and the landscape, in a quieter and more contemplative manner, together with the use of a limited palette. Her work continues to explore the intangible and evocative, that communicates before it is understood, and the importance of and relationship between scale, surface and the poetic image through a method of layering and reduction that reflects the experience of connection, through history on either a personal or broader level. Subject and shadow are indeterminate, and the viewer is drawn into the work to decide between what is ‘real’ and what is not. More importantly, it is hoped that the viewer will experience a connection of experience through the work.

In history's shadow

Adriane Strampp Gaze 2010 oil on canvas 152x152cm

Adriane Strampp
Imaging the Gap: The Poetics of Connection
Wednesday March 31 5.30—7.30 pm
Masters of Fine Arts Examination Exhibition Faculty of Art & Design Post Graduate Gallery D2.09
March 30—April 1 2010