Guide 2015 selected for the Glover Prize. Oil and wax on linen, 122 x 122 cm

Guide 2015 oil/wax on linen 122 x 122 cm

Falls Park Pavillion,
Evandale
TAS 7212

The Glover Prize has become one of Australia’s most significant awards for landscape painting. It is awarded annually for the work judged the best contemporary landscape painting of Tasmania. The winner receives $40,000 and a bronze maquette of colonial artist John Glover, whose legacy is celebrated though the Prize.

Landscape painting is defined in its broadest sense. The aim is to stimulate conversations about the meaning and possibilities expressed in the words landscape, painting and Tasmania. The Glover is open to artists from anywhere in the world. The exhibition is held over the March long-weekend in the historic Falls Park pavilion in Evandale, a village on the beautiful northern plains of Tasmania.

The winner of the Glover is selected from around 40 works chosen by a panel of eminent judges.

2016 GLOVER PRIZE JUDGES

Maudie Palmer AO
Independent curator and Professorial Fellow, Monash University

Fiona Hall AO
Artist and Australian representative at Venice Biennale 2015

Sean Kelly
Arts Officer, Moonah Arts Centre

 

The Departure 2016 selected for the Adelaide Perry Prize for Drawing. Graphite on Lanaquarelle 640gsm watercolour paper 30 x 76 cm

the_departure_adriane_strampp_2016

Adelaide Perry Gallery
The Croydon Centre for Art
Presbyterian Ladies’ College, Sydney
Boundary St
Croydon
NSW 2132

The Adelaide Perry Prize for Drawing is a $25,000 acquisitive art award among the most significant of its kind in the country.

Inaugurated in 2006, the Prize is generously supported by the Parents and Friends’ Association of PLC Sydney.

Named in honour of respected painter, printmaker and draughtswoman, Miss Adelaide Elizabeth Perry who taught Art at PLC Sydney from 1930 to 1962, the Prize attracts submissions from around the country.

The 2016 Perry Prize judge is Ms Julie Ewington, independent curator and writer. Read Julie’s statement on judging here.

 

 

Echo 2015 oil/wax on linen 152 x 152 cm Echo 2015 oil/wax on linen 152 x 152 cm
 

View exhibition here.

Read text here.

For all enquiries please contact: hsg@hillsmithgallery.com.au | +61 8 8223 6558

HILL SMITH GALLERY
113 Pirie Street, Adelaide
SA 5000 AUSTRALIA

HOURS
Tuesday – Friday 10.00 am to 5.00 pm
Saturday 2.00 to 5.00 pm

www.hillsmithgallery.com.au

strampp-adriane-Macedon

Transition 2015 oil on linen 152 x 152 cm

This new work by Adriane Strampp continues to explore the remembered landscape; fragmented views of journeys made reflecting Strampp’s own peripatetic upbringing and sense of dislocation. It reflects upon the passage of time, absence, memory and loss, portrayed in largely monochromatic, improbable colour. The work posits our own tendency to colour our memories and reflections.

As Strampp describes a sense of transience and motion when there is no final destination, we are taken along for the ride, fleeting glimpses of the passing landscape that give us non-specific views that nevertheless involve a sense of familiarity. It is the movement, the lack of connection that concerns her, rather than the traditional art historical landscape. Occasional reflections are placed across works such as Rise 2015, deliberate visual barriers, so separating the viewer from the landscape, transforming them instead into an objective observer. As with her earlier work, subtle visual barriers at odds with the image are frequently employed as a means of creating uncertainty and unrest.

Strampp’s surface is a time-consuming construction involving the use of wax and delicate colour washes that depict the hazy, ephemeral and elusive nature of memory. As paint is allowed to run and dissolve there is a melancholic sense of transience and at the same time, in keeping with the notion of fleeting memory, other areas are painted in detail. The strong hues are used for their capacity to elicit emotional responses, as well as to capture the subjective nature of memory.

Download catalogue here.

For all enquiries please contact jan@janmantonart.com | +61 7 3831 3060

JAN MANTON ART
1/93 Fortescue St Spring Hill
QLD 4000 AUSTRALIA

HOURS
WED-FRI by appointment only
SAT 10am-4pm

www.janmanton.com

strampp_adriane_morgen 2015

Morgen 2015 oil and wax on linen 50 x 50 cm

In 2012, Adriane Strampp re-visited a northern part of the USA, just above the Great Lakes, where she had spent a portion of her childhood. From the car she was travelling in, Strampp photo-documented the nine-hour road trip to her past. Out of the hundreds of photo that she took from first light through to dusk, Strampp selected only a few to use as structures to diverge from and create the works that form Vorbeigehen.

Vorbeigehen is an exhibition series of faintly painted and distanced landscapes. Some large in scale, surrounding and enveloping us in their eminence, others are smaller and dense in shadow. In these paintings, the focus is not on the landscape itself but rather on our deeper, ephemeral relationship with memory and the experience, anticipation, and expectations of revisiting a place once loved. The visually immersive paintings attempt to materialise intangible, visceral experiences that bleed into hallucinations of memory and imagination.

In this regard, Strampp’s work has a strong correlation to the writing of Susan Sontag. In her 2003 book, Regarding The Pain of Others, Sontag observed that memory alters an image according to its need to confer an emblematic status on things we feel worthy of remembering. One may feel shame, fear, anxiety, sadness or loss upon remembering a past and it’s associated vernacular or ‘landscape’ of imagery we remember it by.

Download catalogue here.

For all enquiries please contact james@fortdelta.com.au  | T.   +61 [3] 8804 0888

FORT DELTA ART GALLERY
Shop 59, Capitol Arcade (Basement Level). 113 Swanston Street
Melbourne CBD, 3000
Enter via Howey Place.

HOURS: Tues – Sat 11am – 5pm

fortdelta.com.au

 

Mirror 2014 selected for the Adelaide Perry Prize for Drawing. Charcoal and wax on board, 50 x 50cm

strampp_adriane_2014_mirror

Adelaide Perry Gallery
The Croydon Centre for Art
Presbyterian Ladies’ College, Sydney
Boundary St
Croydon
NSW 2132

 

The Adelaide Perry Prize for Drawing Exhibition of Finalists 2015 will be officially opened at Adelaide Perry Gallery on Friday 27 February at 7 pm.

Special guest speaker Mr Glen Barkley, curator, will make the opening announcements and this year’s judge, Mr Peter Kingston AM, will present this year’s winner with the $25,000 acquisitive prize.

From over 480 entries Peter Kingston created a shortlist 43 artworks.

In a statement about the process Mr Kingston said:

In judging the drawings I have been guided by the words of Vincent Van Gogh: ‘The figure of a labourer – some furrows in a ploughed field – a bit of sand, sea and sky -are serious subjects, so difficult, but at the same time so beautiful, that it is indeed worth while to devote one’s life to the task of expressing the poetry hidden in them.’

And my friend, the late Martin Sharp: ‘To make visible the invisible.’

This is no mean task to achieve, as one not only has to actually commence work but also leave one’s self open to chance and unexpected diversions along the way. To make a record of this journey is what I was looking out for.

The finalists I have chosen have, in my view and experience, come some way towards achieving this.

Echo 2014 has been selected for the 2014 Paul Guest Prize for contemporary drawing, at Bendigo Art Gallery.

The Paul Guest Prize is a non-acquisitive cash prize of $12,000 which is held every two years, highlighting contemporary drawing practice in Australia. The Prize was initiated by former Family Court Judge and Olympic rower, the Honourable Paul Guest QC and encourages artists from across Australia to engage with the important medium of drawing and to create challenging and unique art works.

Bendigo Art Gallery
42 View Street, Bendigo
15 November 2014 – 26 January 2015

Echo 2014 charcoal and wax on board 50 x 50 cm © Adriane Strampp

Unease 2014 has been selected for the Paddington Art Prize. The Paddington Art Prize was established by Marlene Antico in 2004. This $20,000 acquisitive prize is awarded annually for a painting inspired by the Australian landscape. This year’s judges are:

Lou Klepac OAM Art Historian, Author, Curator and Publisher
Barry Pearce Emeritus Curator of Australian Art, Art Gallery of NSW
Jane Watters Director of S.H. Erwin Gallery

Exhibition dates: Saturday, 11th October until Tuesday, 21st October
111 – 113 Queen Street Woollahra, NSW 2025. Entrence via Dorhauer Lane
Unease 2014, 152 x 152 cm oil on linen Unease 2014, 152 x 152 cm oil on linen ©Adriane Strampp

The ‘alternative’ selection from hundreds of entries to the Archibald and Wynne Prizes, the Salon des Refusés started at the S.H. Ervin Gallery in 1992. Each year a panel of selectors goes behind the scenes of the Art Gallery of New South Wales to select the exhibition from the works not included in the finalist exhibition. The Salon has an excellent reputation, and the criteria for works selected are quality, diversity, humour and experimentation and cover themes such as contemporary art practices, different approaches to portraiture and artist’s responses to the landscape. 

Grey Garden

Grey Garden, oil on linen 152 x 152 cm ©Adriane Strampp

S.H. Ervin Gallery, Watson Road, Millers Point (The Rocks)

TUE-SUN: 11am-5pm
Closed Mondays & Public Holidays
Ph +61 2 9258 0173

2014-Strampp-e-invite.